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Hello!


I’m a photographer focused on portrait, documental and commercial photography. Portuguese native, and english working proficiency. I’m available for on location works in Brazil, or off-site assignments overseas — in both short or long-terms projects.

Hello!


I’m a photographer focused on portrait, documental and commercial photography. Portuguese native, and english working proficiency. I’m available for on location works in Brazil, or off-site assignments overseas — in both short or long-terms projects.


I was born in Sorocaba, a somewhat small town in Brazil. Back in 2002 I moved to São Paulo to study graphic design.


My personal work with illustrations and design concepts helped me to start at an advertising agency in 2007 as an intern, and late 2011 after already being an art director I started my semiotics post degree — which I never finished.


In the year 2014 I decided to learn photography, and it wasn’t easy as I thought; but I was extremely committed in learning all the aspects of it. In 2015 I left my steady job at an ad agency and back in november of that year I worked on a seminal personal photography project called “Minas Gerais: In the backlands paths”, based on Guimarães Rosa 150 miles travel with 8 boiadeiros (brazilian native cowboys) in 1952. I was inspired by his most acclaimed book “Devil to Pay in the Backlands” (Grande Sertão: Veredas) published in 1956.

The idea was not to artificially recreate the universe of sertão, and neither portrait their people in traditional costumes to make a misleading impression of past on contemporaneity; but rather be in contact with place previously unknown to me and share my journey through images.

Currently my work has been a balance between personal projects and commercial assignments.

Copyright Notice: All images appearing in this site are the exclusive property of Bruno Fujii, and are protected under international copyright laws. Images are not to be reproduced, copied, stored, manipulated, projected, used or altered in any way, alone or with any other material without the express written permission of Bruno Fujii and/or his agents. Bruno Fujii reserves the right of attribution and integrity of the work preserving photographs from alteration, distortion, or mutilation — anything else that may detract from the artist’s relationship with the work even after it leaves the artist’s possession or ownership. Personal projects are not meant to be commercially used and should protect their respective models respecting their privacy and moral rights, also sharing a percentage of any form of futre profit or monetization.

Privacy Policy: Internet user privacy and data protection is of paramount importance; Bruno Fujii website complies with the Net Neutrality in relation to all processing of personal data supplied at this website by users and other personal data — mantaining the privacy and confidentiality of any personal information, such as your name, address, email address, or telephone number that you provide. This website do not collect, use or disclose your personal information for any purpose other than its visitors site activity data and cookies. This website do not sell any personal information we receive through our website to any third party. By using this site, you consent to the terms of this website privacy policy.

CLIENTS: Adus (NGO), Alice healthcare, Atados (NGO), BM&FBOVESPA/B3, BuzzFeed Brasil, Cervejaria Treze, Coppertone, Consulado da Mulher (NGO), Credeli Plus, Criolo, Danna Lisboa, Elanco, ELEMESS Music N’ Services, Ernst & Young, Hillrom Welch Allyn, IndicatorCapital, Japas Cervejaria,Jovicard, Les Carrés d’Alexandre chocolate, Libbs Farmacêutica, LG, Mary Kay, MedicaLog, Nescafé, NESsT (NGO), Neslté Brasil, NINHO Orgânico, N26 Europe, Pernod Ricard Brasil, Pitty, Play Boutique, RaiaDrogasil, Rexona Brasil, ROUE Watches, Serasa Experian, Suzano, Suria Jewelry, Uotel, Unilever, Urbano Alimentos, Whirlpool Latin America.

AGENCIES: Bamboo & Co., Huge, Los Cabras, W3haus, New Vegas, NOHELMET, nortfy®, Nova Cia, Tátil Design, TV1, Stocks Taylor Benson (UK), VUFT.

EDITORIAL: bula, EL PAÍS, Locaweb, Poder (Joyce Pascowitch), Sabor.Club, Trip Editora.

FEATURED: Behance Curated Photography, PetaPixel, Abduzeedo, DIY Photography, 500px, Ello Curation, ISO 1200 Magazine, The Phoblographer, Pristina.org, URBANAUTICA, IdeaFixa, Atelliê Fotografia, PortfolioLovers, 15 Minute News, Substantivo Plural, photoworld.bg.

PUBLISHED: 2014 – TPM (BR), 2015 – PODER (BR), 2016 – AMARELLO (BR), 2020 – The Big Photo Ezine.

EXHIBITION: 2017 – Casa das Rosas (Slam das Minas), 2018 – MIS-SP (IKIRU).

Copyright Notice: All images appearing in this site are the exclusive property of Bruno Fujii, and are protected under international copyright laws. Images are not to be reproduced, copied, stored, manipulated, projected, used or altered in any way, alone or with any other material without the express written permission of Bruno Fujii and/or his agents. Bruno Fujii reserves the right of attribution and integrity of the work preserving photographs from alteration, distortion, or mutilation — anything else that may detract from the artist’s relationship with the work even after it leaves the artist’s possession or ownership. Personal projects are not meant to be commercially used and should protect their respective models respecting their privacy and moral rights, also sharing a percentage of any form of futre profit or monetization.

Privacy Policy: Internet user privacy and data protection is of paramount importance; Bruno Fujii website complies with the Net Neutrality in relation to all processing of personal data supplied at this website by users and other personal data — mantaining the privacy and confidentiality of any personal information, such as your name, address, email address, or telephone number that you provide. This website do not collect, use or disclose your personal information for any purpose other than its visitors site activity data and cookies. This website do not sell any personal information we receive through our website to any third party. By using this site, you consent to the terms of this website privacy policy.

CLIENTS


    • Adus (NGO)
    • Alice healthcare
    • Atados (NGO)
    • BM&FBOVESPA/B3
    • BuzzFeed Brasil
    • Cervejaria Treze
    • Coppertone
    • Consulado da Mulher (NGO)
    • Credeli Plus
    • Danna Lisboa
    • Elanco
    • ELEMESS Music N’ Services
    • Ernst & Young
    • Hillrom Welch Allyn
    • IndicatorCapital
    • Japas Cervejaria
    • Jovicard
    • Les Carrés d’Alexandre chocolate
    • Libbs Farmacêutica
    • LG
    • Mary Kay
    • MedicaLog
    • Nescafé
    • NESsT (NGO)
    • Neslté Brasil
    • NINHO Orgânico
    • N26 Europe
    • Pernod Ricard Brasil
    • Pitty
    • RaiaDrogasil
    • Rexona Brasil
    • ROUE Watches
    • Serasa Experian
    • Suzano
    • Uotel
    • Unilever
    • Urbano Alimentos
    • Whirlpool Latin America

AGENCIES


    • Bamboo & Co.
    • Huge
    • Los Cabras
    • W3haus
    • New Vegas
    • NOHELMET
    • nortfy®
    • NovaCia
    • Tátil Design
    • TV1
    • Stocks Taylor Benson (UK)
    • VUFT.

EDITORIAL


    • bula
    • EL PAÍS
    • Locaweb
    • Poder (Joyce Pascowitch)
    • Sabor.Club
    • Trip Editora.

FEATURED


    • Behance Curated Photography
    • PetaPixel
    • Abduzeedo
    • DIY Photography
    • 500px
    • Ello Curation
    • ISO 1200 Magazine
    • The Phoblographer
    • Pristina.org
    • URBANAUTICA
    • IdeaFixa
    • Atelliê Fotografia
    • PortfolioLovers
    • 15 Minute News
    • Substantivo Plural
    • photoworld.bg

PUBLISHED


    • 2014 – TPM (BR)
    • 2015 – PODER (BR)
    • 2016 – AMARELLO (BR)
    • 2020 – The Big Photo Ezine.

EXHIBITION


  • 2017 – Casa das Rosas (Slam das Minas)
  • 2018 – MIS-SP (IKIRU).